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How many musicians/songwriters have thought “I wonder
how much more time I could devote to writing/production if I
didn’t have to think about securing funding or the legal
side of the business?” Think about it. Beyond booking gigs,
arranging radio airplay, developing merchandise, promotion, recording,
securing P.A equipment, the average musician will focus a large
amount of their time on getting signed to labels, so they can
secure the amount of funding they need, to go out on tour, or
create a music video, or record a full length CD versus a promotional
EP.
funding sources available: (without
being signed to a label): Without consulting an Entertainment
Lawyer, Band Manager or Agent, the average musician does
not know about how to secure funding sources, on an independent
level. A producer will not tell a musician these critical
details either – they expect the musician to know
about these relevant things.
Copyright: Unfortunately,
the average musician does not know much about the legal
aspects of the music industry, and I have found that even
more musicians do not even know how to get their music
copywritten in the United States! Just think – if
an artist had an international distribution deal, they
could really lose out on their “fair share” of
percentages, regarding copyright royalties, if they don’t
own their Copyright, in advance.
International Distribution: Does
the average musician know there are different “statutes” (rules)
on Copyright and Publishing in each different country of
the world? My guess is probably not. Which again, would
put the musician in the position of “ oh, I don’t
get publishing royalties in Denmark or Germany because
I did not own my copyright – the publisher does?!” |
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Merchandise: Every smart independent
band has some. With an existing inventory of band merchandise,
it is possible to secure (solicit) merchandise sponsorship, if
an international tour is already booked, and confirmed. Aside
from income generated from live performances, merchandise is
what “recoupment” is all about. Typically, merchandise
involves a logo, or a brand. Into that picture comes trademark
issues – another related legal topic.
Most musicians are incredibly talented, and by rights, should
be able to focus on the most important thing – writing
good original music. I mean, when it comes down to the business
end of things – the bottom line is this: how else does
a band get noticed by the general public?! From their songs….I
feel that Artist Development has “disappeared” in
light of the massive product branding that has occurred in the
music industry, and that Artist Development is a critical topic,
that needs to be re-addressed, as a critical focus in the music
industry.
Written by the owner of a Canadian Independent Record Label,
who has worked with entertainment law for over 16 years, and
has been a musician for over forty years.
Ms. Linda Marie Sekulic
President Pop Records Inc
Listed in Music BC Business Directory
When I think about kids watching a TV show
like American Idol or The Voice, then they think, ‘Oh, OK, that’s how
you become a musician, you stand in line for e...ight fucking
hours with 800 people at a convention center and… then
you sing your heart out for someone and then they tell you it’s
not fuckin’ good enough.’ Can you imagine?” he
implores. “It’s destroying the next generation of
musicians!
Musicians should go to a yard sale and
buy and old fucking drum set and get in their garage and just
suck. And get their friends to come in and they’ll suck, too. And then
they’ll fucking start playing and they’ll have the
best time they’ve ever had in their lives and then all
of a sudden they’ll become Nirvana. Because that’s
exactly what happened with Nirvana. Just a bunch of guys that
had some shitty old instruments and they got together and started
playing some noisy-ass shit, and they became the biggest band
in the world. That can happen again! You don’t need a fucking
computer or the internet or The Voice or American Idol.”
by David
Ackert, LA Times
"Singers
and Musicians are some of the most driven, courageous
people on the face of the earth. They deal with more
day-to-day rejection in one year than most people do
in a lifetime. Every day, they face the financial challenge
of living a freelance lifestyle, the disrespect of people
who think they should get real jobs, and their own fear
that they'll never work again.
Every day, they have to
ig...nore the possibility that the vision they have dedicated
their lives to is a pipe dream. With every note, they
stretch themselves, emotionally and physically, risking
criticism and judgment. With every passing year, many
of them watch as the other people their age achieve the
predictable milestones of normal life - the car, the
family, the house, the nest egg.
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musicians
and singers are willing to give their entire lives
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Why? Because musicians
and singers are willing to give their entire lives to a
moment - to that melody, that lyric, that chord, or that
interpretation that will stir the audience's soul.
Singers and Musicians
are beings who have tasted life's nectar in that crystal
moment when they poured out their creative spirit and touched
another's heart. In that instant, they were as close to
magic, God, and perfection as anyone could ever be. And
in their own hearts, they know that to dedicate oneself
to that moment is worth a thousand lifetimes.” |
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The views, opinions, positions or
strategies expressed by the authors and those providing
comments are theirs alone, and do not necessarily reflect
the views, opinions, positions or strategies of Metro
Music Mayhem. We make no representations as to accuracy,
completeness, currentness, suitability, or validity of
any information contained within and will not be liable
for any errors, omissions, or delays in this information
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