Hello again and welcome to another installment
of Luthier's Corner. This month, I want to discuss my most
recent build, for a couple reasons. One, because as a luthier,
the most satisfying aspect is taking raw wood and creating
a musical instrument with it. And two, it happens to be
a 5 string fretless bass, and I don’t often spend
enough time discussing bass building as I do guitar building
and restoration.
OK so here we have a project that originally
I started in 2008, at least the body, for a client. But
that fell through after I had already cut out the body.
So the body sat on a shelf until a couple weeks ago when
I decided to build it into my dream 5 string fretless.
Since I had already cut out the main shape of the body,
I knew it would not take long to complete the build. I
constructed the body itself out of a number of choice woods.
The center core is 5 strips or wood- 1/2" teak in
the center, with 7/8" mahogany on each side, and 3/8" walnut
completing the width. The body wings are 1" walnut
with mahogany veneer top and back, and then 1/4" purpleheart
on top and back. The control cavity cover is 1/8" padauk.
The neck itself is hard rock maple, as is the fingerboard.
The slotted headstock is built up with 1/8" padauk
on top, and 1/4" red oak on the back with the grain
perpendicular to that of the rest of the neck for strength
and stability.
The bridge is red oak and purpleheart, and it is a string
through body design for superb sustain. The electronics
consist of a Music Man style humbucker with big pole pieces,
500k volume and 250k tone. You'll notice that the design
of this bass incorporates some of my favorite bass designs,
past and present, including the upper cutaway shape of
a Rickenbacker, lower cutaway shape of the old 80's Ibanez
Musician, Carl Thompson style bridge, maple fingerboard
of the classic 70's Fender fretless basses, and slotted
headstock of the Ampeg Baby Bass, albeit without the scroll,
and of course, the bottom is a modified version of my Fin
model. I strung her with a set of D'Addario Half Round
45-105 strings. She weighs 8.5 lbs, which is just right.
The balance is perfect.
The tone is huge and versatile- she can go from smooth
jazz tones to heavy growl depending on player dynamics.
And of course, she has that requisite "muah" sound
that you expect from a fretless. I absolutely love this
bass. To really get a good idea of what it took to go from
raw timber to playable instrument, check out the following
pictures. Picture A shows
the body woods being glued together. Picture
B shows the body basically cut out. Picture
C shows me shaping the slotted headstock of the neck
on my drum sander. Picture
D shows the neck being glued into the body. Picture
E shows me carving the arm carve on the top of the
body using my spokeshave. Picture
F shows the first coat of Danish Oil Stain applied
to the bass, after all the woodworking was completed. And Picture
G shows a close up of the body of the completed bass.
To really get an a more in depth look at this bass, that I affectionately call “The
Beast,” click on the following link to see a fully detailed picture album |
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