By Steve Weiss

GUITAR AMP FAILURE MODES PART TWO

Tubes
In past articles we talked much about how tubes work, now let's talk about what happens when they don't. If you are not clear or need a refresher on how tubes operate please refer to my past articles on tubes that may be found in the Metro Music Mayhem archives.

A tube is a relatively fragile device. Its outer structure is made of a glass envelope containing a vacuum much like a light bulb. It can have five to six different voltages connected to it, some of which are several hundred volts high. It's internal structure consists of metal posts with extremely fine wires wound around them creating several concentrically arranged grids. The alignment of the grid wires is critical so that electrons going from the cathode to the plate can pass between the grid wires without hitting them. When you factor in temperature changes as the tube heats and cools(thermal cycling), vibration, today's marginal at best manufacturing methods and shipping distances of thousands of miles,it makes you wonder how we have tubes that work at all.

Let's look at some specific tube failure modes.

Glass Fracture

If you see a tube and at the top it looks like it is coated with a white powder this tube has broken its glass envelope, lost its vacuum and is now no longer a working tube. Possible causes of this may be, poor manufacturing quality, vibration during transportation, impact to the tubes directly, cold liquid spill onto a hot tube (beer!!) or taking the amp out into cold weather before the tubes cool down to room temperature.

Microphonics/ Hum/ Crackling/ Noise

If you are experiencing ringing or squealing sounds, something has come loose inside the tubes internal construction and is resonating and adding to the audio. Every tube has a certain amount of microphonics and most tube vendors do their best to test and weed out the bad ones. But due to poor manufacturing, vibration and thermal cycling microphonics can creep back in. According to its position in the amplifier's signal chain, the same preamp tube may be more or less microphonic as different preamp stages may have more gain than others making a tube perform worse in the higher gain positions. Output tubes have very little gain so they won't sound as loud microphonically as a preamp tube can, but if an output tube is at all microphonic it is probably only a little bit away from failing so it should be changed. EL84 output tubes are the exceptions to this. I think it is a wonderful sounding tube but it is very prone to becoming loudly microphonic or going into oscillation.

A good way to test for microphonics is to flick your finger against the glass of the tube. This works especially well for the output tubes because they are generally free of microphonics, so if you can cause it to ring or crackle at all it is probably bad. The preamp tubes can fool you. As I said before, some locations in the preamp are more microphonic than others.

Another failure mode of tubes is excessive hum and or the output of crackling sounds or constant noise. Again. a good test for this is flicking your finger against the tube but this may not always give results like it does when testing for microphonics as the problem inside the tube may not be vibration sensitive. I find the Sovtek brand of preamp tubes to be extremely susceptible to this type of problem. Remember also this type of problem is possibly dependent on the temperature of the tube and the tube may have to reach a certain temperature for it to become problematic.

My advice is if there is a tube you suspect is bad, leave all the amp settings the same, turn the amp off and substitute in a brand new tube.Turn the amp back on and see if you notice an improvement in performance. If so install the new tube and discard the old one. I have a fantasy of saving up some bad tubes and doing a complete retube of an amp for one of my "special customers". But I digress.

Intermittent Output Tube Shorts

This is a failure that most customers don't want to believe. Many amps have a fuse on the back panel dedicated to the high voltage that feeds the tubes. It is generally a 1 amp fuse for 100 watt amps and 1/2 amp for 50 watters. This fuse is directly in line with the high voltage to the output tubes and is there to protect the expensive output transformer, tube sockets and other related components should there be a condition where too much current is pulled through the tube. This can happen from loss of bias or internal damage to the tube from vibration or poor manufacturing. It also can occur when little pieces of the tube's cathode coating (chemical that is painted on to promote electron emission) flake off and get caught in the grids causing a short. This will usually disappear after the tube cools off and replacing the fuse will bring the amp back to life. My advice is always at that point to replace the output tubes because this is going to reoccur( most likely in the middle of your big solo) and also because the tubes and circuitry have been overheated and may not be operating as well as they should. Of course most customers think you are just trying to sell them tubes. Happened just the other day. That's OK with me, I just put a fuse in because they will be back when it blows again. Only took one day for that customer to call back.

Tube Sockets

Tube sockets are the components that the tubes plug into to connect them electrically with the amplifier's circuitry. The idea behind using a socket was to make the tube easily removable for testing and replacement purposes. In the days of tube televisions it facilitated letting the TV owner take the tubes down to the local drug store and check them on a tube tester, replace tubes that tested bad and be back home in time for I Love Lucy.

Tube sockets have their own failure modes that are similar in symptoms to failures inside the tubes themselves, making it hard to distinguish where the failure is located.

Preamp tube sockets generally become oxidized on the contacts that grab the tube pins. This can cause intermittent signal conditions or crackling noises when the tube is subjected to vibration. This is especially prevalent in the higher gain preamp positions in the amplifier. This is usually easily cured with a treatment of Deoxit or similar cleaner unless the socket has completely lost its mechanical tension.

Output tube sockets have contacts that are larger than preamp tube sockets as they must receive the larger diameter pins used on an output tube. They have a tendency to lose their tension and not grab the tube pins tightly. Here we have a different set of failures than with preamp tube sockets. There is not much gain in the output tubes so they won't crackle loudly as the preamps do, but they will cause an intermittent signal condition. If you have an amp with two to four output tubes and one or more are going on and off intermittently you are going to hear radical changes in your volume and tone. More importantly with an output tube is the pin that contains the bias voltage. Bias controls how much current flows through the tube. If it is removed as in a failure of its socket pin, the tube will draw as much current as is available causing it to heat up and fail. You experience several things when this happens. You will hear a loss of volume accompanied by a large low frequency hum.If you look at the output tube it will likely be glowing red on the large metal plate structure, (not the orange glow the tube normally has). If you experience this, shut the amp off immediately. The sockets can be retensioned. Do not attempt this yourself. There are lethal voltages present at that socket and sticking something in there CAN kill you. Let a qualified tech do this for you. Bear in mind also that loss of bias can occur from an internal short in the tube itself. And when an output tube drags down the bias voltage the other tubes that are not shorted experience a loss of their bias voltage and can overheat and be damaged or fail.

A classic example of tube socket problems can be found in the Fender Hot Rod and Blues Deluxe series amps. Here we have several factors that combine for bad results. The tubes are mounted upside down inside the speaker cabinet and directly in line with the vibrational field of the speaker. The tube sockets are soldered to a printed circuit board. As the tubes are vibrated from transportation or playing they cause the tube socket pins to break their solder points where they are connected to the circuit board. This creates all of the problems we mentioned above including the destruction of the output tubes due to loss of bias. It is standard practice for me to resolder all sockets in that style amp whenever one comes in for repair for any reason.

Sometimes there are conditions that cause arcing across the output tube sockets. This can come from a variety of reasons, but the most classic is operating a tube amp without a speaker load connected. The socket pins by design are set far enough apart from each other so there is enough distance between the pins for the 450 volt plate voltage to not arc to another pin. When the amp is operated with no speaker it causes flyback voltage spikes from the output transformer to go back into the circuitry. Due to magnetic coupling in the output transformer, these spikes can approach two thousand volts. The next tube socket pin over from the high voltage pin is the filament voltage pin. This pin compared to the high voltage pin sits very close to ground potential (heater filament winding center tap is grounded and there is not much resistance to the filament winding). The two thousand or so volts seeking the lowest resistance path to ground now easily jumps from pin to pin potentially causing much damage throughout the amp. On the tube sockets, It can carbonize a track in a phenolic tube socket and leave it with a permanent short. Even a ceramic tube socket can be left with a carbon deposit that is conductive and resistant to cleaning. I usually opt to replace the socket.

The last failure related to the sockets has to do with the part of the tube that is located between the pins called the key way. This "key" has a flange section on it that will insure the tube is inserted into the socket properly so its pins mate with the correct contacts on the sockets. Many times in a combo amp ( the absolute worst environment for tubes) if a tube falls out from vibration, a musician unaware the tube must be correctly aligned in the socket will brute force it into the socket incorrectly. According to how it is inserted the incorrect mating of the pins can cause damage to the amp's internal circuitry.

DC Leakage

Here is a failure that can be mistaken for a dirty guitar volume pot. If the first preamp tube goes bad it can leak a small DC voltage onto the amplifiers input jack and out through the cable into the guitar. This is a very small voltage, usually less than a volt and is not a shock hazard. What it will do is cause the guitar volume pot to make noise when it is turned. It sounds similar to a dirty pot, but cleaning or replacing the pot will do nothing. Simply replacing the preamp tube will solve the problem.

Rectifier Tubes

As we discussed in earlier articles, rectifier tubes are part of the power supply. They take the AC voltage from the power transformer and convert it to DC. Oftentimes they will fail in a dramatic way and you will see arcing inside the tube, other times it will just stop working even though it is still lit up. If the rectifier tube is not doing its job, there is no high voltage being provided to the tubes and there can be no sound coming out of the speaker .Rectifier tubes being large in size and having only four pins are extremely susceptible to socket problems. Four pins compared to eight or nine can come loose much easier especially if the tube is hanging upside down.

Next month, I will move on to some general questions I am often asked about tubes and also provide a checklist of what to try if the amp is not working. Please feel free to leave any questions or comments you may have.


Steve Weiss is the owner and main technician of Steve Weiss Electronics Inc. He is experienced in the repair of analog and digital musical equipment. This includes everything from Vintage Tube Amps and Pro Audio equipment to Digital Keyboards There is also a guitar repair shop staffed by some of the areas top guitar repair techs. He is authorized for warranty work on most major brands. Steve Weiss Electronics is located inside of Sam Ash Music at 5460 West Sample Road Margate, FL 33073 954-975-3390 Ext 272. Steve has also spent 25 years on the road as a performing guitarist and is the designer of Primal Guitar amps that can be seen at Primal Audio.com Steve can also be reached at stevew@metromusicmayhem.com
Sam Ash Quikship Corp.

 

 
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