Each month we will be featuring different drummers and styles of music, letting them speak their mind on all aspects of drumming, equipment, what they love about the drums, philosophies and their reflections on music from the drummers unique perspective.

Please contact us if you would like to share your thoughts at info@MetroMusicMayhem.com.

This Month: Bobby "boom-boom" GOLD

Ah drummers….what can be said about this strange breed

Blisters come to mind, the joy of lugging equipment year after wonderful year. late at night, from house to car, find parking, carry to stage, set them up, play your heart out, break them down, back into their cases into the car, up or back home, you sit down in your usual chair and think, what just happened? Did I play a gig? Ha-Ha bet most drummers are probably moaning or laughing right now...

Well at 10 the bug hit me hard. When I first heard the drum break in FOR YOUR LOVE by the Yardbirds around 1962 I was stopped dead when I heard I WANT TO HOLD YOUR HAND by the Beatles…..I bought it for 69 cents at the Merrick L.I. “five and dime” then SHE LOVES YOU in 1963, then early1964 the Beatles hit the U.S and I saw Ringo swaying his hair back an forth smiling on Ed Sullivan and said that’s what I want to do, and I meant for the rest of my life. I was never the same as I practiced an hour and a half everyday for a year and a half….feeling ready I started playing Greenwich Village in NYC every Sunday afternoon. Each week a different Dad drove us into Manhattan fom Brooklyn to play the gig an I can remember seeing Jimi Hendrix at CAFÉ WHA when he was still Jimmy James and the Blue Flames.

Over the years things have changed a bit, personally, the industry, and business wise, we all have aged, but I still play and listen to all genre’s of music from Dean Martin to Johnny Thunders and everything I can in-between. Physically drumming takes stamina. Most natural drummers are hyper anyway it seems. The most important thing is to LISTEN, real close, and make it look like you’re not. Although you’re the beat keeper, the bass is the pulse and most drummers love good deep bass tones. The most crucial thing of all is talent which can not be taught it is God given or ‘natural don’t let the blisters stop you, use band aids wrapped in white surgical tape, work great.

I'm always hypnotized by a good rim-shot drummer

I play that rim-shot crack on the snare drum, which is what separates the men from the boys. A good drum fill colors the sound helping with dynamics of the song. Drummers who only keep the beat lose my attention quickly. A myth I’d like clear up is that most drummers in person, are usually quite mellow and we don’t take our anger out on the drums. I never took my anger out on the drums ever….not the wife, kids, mortgage, doctor bills…could make that happen. When I drive to a gig I try to let all that slip away as I get closer to the venue and downbeat for the show. When I get home with equipment packed away I go over and over the gig until I digested it like food. I play every gig as it was my last. So many friends, young and old have gone home and didn’t wake up this year. Playing an instrument in a band over the years is a major sacrifice with hours and hours, days, months, years alone with those drums, sacrificing long term careers in case you need to go on tour. Parents tell their daughters that they cant go out with you, you are a bad influence, find a doctor, lawyer or accountant and prepare for “He’s a Rebel” to be your signature theme song. Be prepared to be staring at your band mates butts cause the drummer is usually in the back. I have enjoyed being in a band with women, always a joy...

So to all beginners and fellow players my best advice is listen close, practice all the time, play your heart out and your ass off…but most importantly of all listen closly . I repeat…..listen very closely even if you play loud

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